pop art

11: Fiction is Stranger than Truth

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“We live in Utopia amongst the shells of the un-dead, / Unseen behind the veils of empire’s walls. / The emperors kill for pleasure and spoils of war bring them bread, / But we have made the laws that bring their fall.” — Gordon Pearce-Lonsdale, Collected Poems, 1924-1977

Technocrats in smart rooms were asleep and dreaming in barcodes and serial numbers, arguing that the end of history and the end of society had brought more effective securitization and a more sustainable repackaging of the consumerist catastrophe with their branding schemes: FreeDomination, Leaphonine, Equipole, etc.

Those kinds of intellectual gymnastics recalled the triteness of that well-known 1960s Pop Art collage by Feigenbaum of the revisionist Joseph Stalin in 1942 as a Buddha with armalite rifles sprouting from his handlebar moustache.

Branding was what used to be done to slaves and livestock but now there were prized consumers to think about, more worthy jobs, enhanced revenue streams and much improved documentation. Also, convenient social media apps that would eradicate needless barriers to communication. (more…)

7: How to Break Algorithms

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“Under the rule of the algorithm, all modes of cognition and communication are manipulated, categorised and quantified to promote the dominant ideology of financialization. There is currently no parallel or alternative system to undermine or replace it.” — Yakim Janović, Dystopia Ltd

Art was pregnant with artificial intelligence. But intelligence had always been artificial anyway, despite its humanity.

The seven sensors raised their ugly heads. They’d been trans-mutated by Mary Shelley’s Frankenstein and Samuel Taylor Coleridge’s Biographia Literaria, but the rationalist purveyors of ideology served education. (more…)