Satan

Idolator, Where the Moral Is

“If money be the food of love, trade on.” — Trade On, The Racket, The Racket

The media psychotherapists sold voyeurism as catharsis, captive and readily available (bloodshot) eyes, wet lips, tongues and strong thighs.

The anti-narrative negated non-fiction by poetic delirium, at once contemplative and explosive. Violence ideations were burned into the fabric of the novel. Right or wrong were never declared, only the violence of beauty.

Anikulapo-Kuti took the last turning off the dirt road and drove straight into Idolator. After checking in at the Idolator Commercial Motel he unpacked the emblems he’d swiped from Nepenthe. Observing the unobserved, he absorbed the received impressions transmitted from where the emblems began, both at root cause and surface, and once they were decoded he found they attached to whichever vessel was fitting.

[Anent their significance, the attributes of the emblems would be addressed some minutes later in this appraisal, albeit using another terminology.]

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The Kill-Freak Syndicate!

“The philosophers’ inventive theories of time and money directed and guided the managerial class towards the ways by which they could change the world to suit themselves.” — Steven Simpson, Blinded by Science

In the old mansion house in the swamplands where the cops would never find him, the occupant paced the dining room. Anikulapo-Kuti was possessed of an unusual, chaotic intelligence. Dinner was at seven.

Psycho-gulls ate from the pre-conscious archives and regurgitated scones and tea in the afternoon. Fearful they were not, yet with fear and terror were they deplored as they cut a finger slicing a side of beef or cracked an Arabian plate.

Description lost out to prescription. Pushed with a haste that could only be stalled by informational products, marvellous new vices were engineered in leaps and bounds and spread abroad by the forces of evil.

Poverty Inc moved into new territories, solving problems with a new spin on an old dogma, promises of betterment, a way to bridge the gap. Condescending to point at a picture of a pauper in a cloth cap holding a noose round the neck of a woman accused of witchcraft, and pointing out the barbarism, the faulty metaphor was recycled against a backdrop of leisurely hours spent haranguing the natives about how lucky they were to till the soil.

“Turn the ghost up in here.”

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