vampire

The Present: Ephemera

[pdf: The Present: Ephemera]

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Those who extend their understanding to brave these incompetences Surrounding dry arch wit and clueless circumstances Prey upon Ephemeral elementals for want of better terms, and the reason, the Logic, proven by Fact and Historical accuracy, serves the favours of Beastly and incompetent reason at the expense of Imagination, which is never prescribed, always unexpected, transparently wondrous and incongruous; Beautiful in perpetuity and the colourful states of ambiguous, tremulous wavering before the receptive audit, an Imagining one who sees whole new lives unfold in brand new shades of impossible unmeaning and illuminated phraseological pictures.

Inspiration, idealisation, and the impressionable beings of divine laughter; swallow tailed, characterised. Diviners of elongated Tranquillity have been formalised to a greater or lesser extent, yet the heirloom of creative foreplay (because any given circumstance relates another’s tale) bears no implication that there’s a planning committee going on behind everything that’s going on. Unless you’re James Bond, or John Dee, indications are not Prophecy. The fools who make attempts at proof will inevitably be proven correct! (Read more… )

The Present: Controversy

[pdf: The Present: Controversy]

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Reflecting upon heat maintaining the conditions for life to exist on the earth at an intermediated origin of attraction, ‘constituent parts’ are made up of:

  1. Criticism of abrogation
  2. Impressions formed by content, however absurd
  3. Piracy of the quested
  4. Documentary evidence
  5. Graphic effects/photo montage/fabricated chance events
  6. The most perverse analogy imaginable
  7. The Transparent metaphor
  8. Reportage
  9. The Attributes of Verification
  10. Vectors and stealth
  11. Objectives, with their Hallucinators named
  12. Cyphers
  13. Locations
  14. The signatures’ Function, which is the same as Knowledge

1.  This is not supposed to be a natural jump from one parallel universe to another and beyond. It is merely the present, pre-conditioned requirement, as most people are wont to liken such things to anyway (Our Meteorologist, by replacing the Mythic and Mystic considerations, was displeased that something looked a bit like being started, yet it hadn’t, and nothing was how it should have been). (Read more… )

Eyrie

[full text published in DARK CLOUDS]

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The Vampire has the luxury of enough finesse to activate indelible vocal shapes glazing over the emotional rationalisation of an inner struggle against art essayed against politics: ‘Democratic Suppliance’ by Barings Hood in the latest edition of Angelique. For the advert-priest of undemocratic dogma, that glow’s discernment. A skull is encompassed by a shipwrecked rhetoric speared by history, painted in a forger’s hand. The Vampire is well pleased.

‘The body is an instrument of itself, voice the conduit of script.’

Divested of the last remnant of daylight, passengers to Venus are following the spectacular uprising of the alchemical Black Sun. Inside the Black Sun, multitudes are in dream-time. Their will o’ the wisps are swirling through the door left ajar. Venusians digitise the invisible realms of artificial reason, releasing signals from interspatial dream-time. The blind fire of dream-time — you don’t know it yet — it’s an insane medium for a miracle.

The power chord is deranged. We’ve been shoved by the hooves of the unicorn into dream-time’s dark fire of good scripture. Fundamentally, names, dates and places are rid of the reflections of our costume jewelery. In the spirit-count of switched flesh, the repercussions of slumber are pleased to deliver the bloody fruit of no dawn. We are sliding over into the Black Sun, cutting stars to the quick in the soft dilated aura of no dawn. We are delivered as one red rose to impart the savage life.

Now, let’s let rip… (read more… )

[text & image © A. A. Walker]