literary

Ulterior Jukebox

“I try to inspire experiences for my audience but I don’t take credit for it. It’s not like I’m prescribing a medicine. I’m just the facilitator. If you are moved and encounter a new idea or feeling or experience then it is because something has spontaneously occurred for you that is personal to you. And that’s outside my sphere of influence.” — Jessie Fingers, Looping the Loop

The sense of continuity provided by the narrative device made the records complete. The literary gimmick gave the impression that the author was clever enough to be able to articulate a concept. Narrative made fiction sound like fact. Spontaneity, contradiction, the music of poetry were ignored and replaced with the concept of the concept, which was a cop-out.

The Y-shaped structure was covered in faded writing. The character named Nasrul found nearby a similar plastic structure creaking in the breeze as it stood up out of the ground like an arrow sign: ^. It was also marked with inscriptions as recorded — out here.

In contemplating the establishment’s anachronisms, its classical allusions and inherent immorality, the general public had been defrauded.

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Sephirothal Topography

Sephirothal Topography

published by ALIENOCENE – Journal of the First Outernational [Stratum 11]

Alienocene is an electronic journal that gathers texts, sounds, and images seeking to reshape the relation between the human and the inhuman.

alienocene.com

Antic Institution

“Earth folks were impressed with suffering. I gained respect and admiration by praising the ordeals of craving and misery. In my disguise as a public intellectual I made myself a paragon of dread and the crowds flocked.” — Nancy B. Haigler, The Guest Book

Gathering to repair the deficiencies of their professional doctrine, the technologians adopted the robust perspectives of the Institution, the manifesto for which declared a humanistic programme for prosperity and happiness.

For the information architext, being without an informational construct meant being disconnected from the flow of life in the datastream. The concerns that surrounded the lack of an object generated unwanted empty space. The pro-consumer could only reach satisfaction by filling up space with one or another of the architext’s inventions. So, the architext designed a new mediator that would be more addictive than any drug.

Picking up the literary pencil once again, I was startled to find out just how much its outpourings failed to correlate with the literary pixel. I had access to a super-charged and strangely constructive ambiguity (which I stole from a journalist who’d been to Cheltenham Ladies’ College), although I was probably too attached to rhetoric and the monastic stench of myrrh and frankincense.

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The Entertrainment Consultancy

“In utilising the audio-visual-spatial ability it is possible to affect a trance through which the cognitive restructuring takes place, leading to almost infinite modes of perception and expression. However, it is important to work with human nature rather than against it, and to practice patience, discipline and trial and error.”— Danica Klossner, New Frontiers in the Practice of Psychology

I was attempting to write the definitive article when some kinda energy association happened. Must’ve been my carnivorous soul recalibrating the diagnostic entrances.

The Entertrainment Consultancy had formed a general consensus that gave superficial material power to the survival of functions via the use value of the names of things but not their meanings. The tyranny of the obvious had made organic substance, being, thought and objects serve the separate illusions of free choice. People and things were representations of functions rather than vessels of imagination.

Time was distorted. In the reflection zone, artificial parallels were engendered between communications, making them appear to correlate with each other to the extent that they matched almost exactly and therefore cancelled each other out.

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Surrender to the Movement, Eros

“I am a nuisance / I am a pest / When it comes to the worst / I am the best / I am the reason / You can’t reply / Cause the answer you’d give / I would deny” – Naii Chatak, Whoreticulture

Edward did not believe the anti-narrative. It was hogwash. Yet something about the novelty of it all appealed to his mustard and puce-green intelligence as it fed into a crude notion about timelessness he’d earlier toyed with and discarded, so he decided to investigate further. He comforted himself in the knowledge that this was comforting.

Suddenly, there was joy in birdsong and the approach of Spring. He squirted a lemon onto a dish of plaice, fell on the couch and surveilled his reading materials…

The Rules of Literature (more…)

All Information is Bullshit

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it says here / read this / it says there / is a definite / sign / look / for the unambiguous / we’re fired up / on noise / we’re deciphered / auto-mobile / we have knowledge / where the word / says so / it says it there / no error — Diarmuid G. McKernan, Voice of Noise, from Bleeding Lines ‘77

Those who identified with Nasrul saw him as an adventurer willing to transgress accepted modes of the rationale of communication. He showed them that the ground of his being was a banquet laid out before them at which all present were consumed by the privilege of free choice, not granted automatically, nevertheless available to the sentient creatures should they so choose.

In their story, N was an anti-hero conqueror of other planets, an astonishingly gifted yet terribly flawed individual. He had appetites he would satisfy but not be controlled by. He would put them to use to advance his ambitions ruthlessly. He was not a man to make a snap judgement. (more…)

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