logos

13: Night of the Sabbath

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“Technology proceeds by technique. In business, medicine, entertainment and so on, technologies are set in motion through the improvement of order and economic calculation and by the effort of advancing technique.” — Valerie Gaspari, Decree and Petition

The blot thickened. As the black letter was raised up to the light the invisible ink read like a key to the attic. The Cipher Agent utilised a predictive reasoning originally developed in the 1950s by the Italian mafia. She had been assigned the gruesome task of investigating the historiography of the decomposing bodies which littered the cult’s compound. But first they would have to be re-located.

“How you settling in? Everything okay?”

When the psychotherapist asked Nas what his favourite Reality TV shows were his mind went blank: white noise. (more…)

12: The Removal of the Logos

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“Preconceived ideas and buzzwords are represented by hypnotic devices for the cognition of purpose which coerces and fixes the senses of things and the connotations of actions within the narrow limits of closed and absolute systems of rationalization.” — Julianne Fortuin, Cognitive Markets

As the subjective world impressed itself Nas found himself unimpressed. It was as though he had been afforded the privilege of that special allotment known as “inner space” as a sanctuary or consolation away from the intimations of power. But it was all so unconvincing. The more he contemplated the nature of subjectivity it showed itself up time and time again as fictitious, as did power.

While floating in the algorithmic floatation sphere it became apparent that no-one could ever hope to achieve much with algorithms, except maybe in non-fiction stories calculated to ground the self-narrativising subject into the ground, which might have been of some use or other, but it was either a quarter past six in the evening or the morning and already the cloudless sky was as still and clear as day. (more…)

6: The Image is Dead

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“As contradictions may be considered true and false at once, those closest to fiction usually tend to be the more precise, fiction being the prima mobile encompassing all that is factual in the naming of images and ideas.” — Mileva Martin, Clandestine Misdemeanors

To you the image was not dead. You saw literal forms in colours and structures as if their designs were of matchless purity. But the imagistic reproduction of a humanistic aesthetic profile which you fancied had social or political meaning was null and void.

The image was dead but to you the image was not dead.
(more…)