hollywood

Carnal Synthetics

“Art is no longer an individual social statement, even less the total act of expression of a qualified representative of a culture, but an indiscriminate development towards that which was previously taboo: the irrational propagation of synergistic alignments consolidated between the non-exclusive spirit of imagination, cosmic mystery and the unknown.” — Hortense Varner, Violent Beauty, Art at the End of Time

Traditions were under threat. Patriots wanted a day of reckoning, a crackdown, and the intervention of their Antichrist. Embracing the topics as set by the paradigm shifters, the monetisable personality was relentless. It had no moral backbone, but at underground assemblies everywhere speech was free to be perverse and inexplicable, against everything that was sacrosanct.

After fixing up the hit-pieces for the Professor to be trashed as an abomination, Anikulapo-Kuti inspected the emblems at close range. Having breached security at the bio-surveillance office at Idolator he traced the path of their instrument in the correct order, and while it seemed the emblems might pander to or patronise both the dominant and competing narratives, this served to signify they might have the power to smash the meta-narrative.

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Idolator, Where the Moral Is

“If money be the food of love, trade on.” — Trade On, The Racket, The Racket

The media psychotherapists sold voyeurism as catharsis, captive and readily available (bloodshot) eyes, wet lips, tongues and strong thighs.

The anti-narrative negated non-fiction by poetic delirium, at once contemplative and explosive. Violence ideations were burned into the fabric of the novel. Right or wrong were never declared, only the violence of beauty.

Anikulapo-Kuti took the last turning off the dirt road and drove straight into Idolator. After checking in at the Idolator Commercial Motel he unpacked the emblems he’d swiped from Nepenthe. Observing the unobserved, he absorbed the received impressions transmitted from where the emblems began, both at root cause and surface, and once they were decoded he found they attached to whichever vessel was fitting.

[Anent their significance, the attributes of the emblems would be addressed some minutes later in this appraisal, albeit using another terminology.]

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The Liar’s Kiss

“The wireless, the automobile, the airplane, the telephone, all these marvelous inventions are indeed, as you put it, ‘re-inventing the human being’. But I say that if this most fundamental of truths displeases you so, there is no choice: your interpretation of this truth will be rejected. You claim to live without these things but the free society requires the freedom of science to pursue its goals.” — Prescott Conrad (in conversation with Roland Windsor-Young, 1942), The Free Society, Radio Broadcasts, 1940-1963

At 873 Emerald Way, Nasrul was found to be all the stranger for his fiction. After he left the premises and walked into a bar on the corner, amongst some small business owners, landlords, local shop keepers, and some of the office staff from FreeDomination, he drank seven shots of tequila then went back to 873 Emerald Way.

With the help of a convenient dispenser I was compelled to document these events.

Criminal gangs were getting through a loophole, stealing DNA and trading in clones of celebs, politicos and other VIPs. The Entertrainment Consultancy demanded it, although they never would admit to it. The Society of Watchers was placing its faith in the big-time illusions of the big game psy-op and seeking out some new attention seekers. Compulsive viewing had become compulsory.

I joined the Counter-Intuitive Literature Investigation Team (C-ILIT) as a sleeping partner, in the hope of an irrational explanation for the anomalous content of these outpourings. If I could not be described as a function then I was a plain tonal pattern that signified a stereotype. In the context of commerce, I was a set of perceived characteristics to be qualified in accordance with historical tropes. Otherwise, I was a business card for a psychic reader.

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The Apparatus

“The Phenomena Inquiry Team (PIT) was an elite committee of scientists formed in 2016. They touted themselves as ‘dedicated to innovative research in the fields of biochemistry and neuroscience’ but were selling body parts to billionaires on the black market for alternative medicine.” — Ralph Lambrecht, Arkhaiologos, Ancient Science in Modern Times

The dictatorship of the factual was rule by the obvious. To attach power or control to facts was to submit to the obvious.

The ventriloquist was undone. The voice said murder and the sale of weaponry were incompatible with Art so the ventriloquist believed they would be doomed to peddling the methods of killing forever. They installed a mock funeral after pretending to commit suicide by jumping off a cliff. A mysterious young woman arrived uninvited wearing a leather jacket with alchemical insignia on the back.

Everything commonplace had become commonplace.

Lakshmi turned over again and finally got some sleep in the motel.

It was said that there was nothing new under the sun so it was the personal responsibility of every citizen to recycle the past to save the future.

“Remember Summer ‘05? I blossomed like a flower. I’d overcome knowledge.”

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Envelope

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Envelope

a condensed novel in 22 verses

[>>> Envelope]
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1. Specific to sitting in a deck chair, lacquered, bright, snowy cheeks. One critic of social and political life. Nerve end, Fabian. Left the body a god in Cairo, in the foyer with the McEwan’s manager. English punctuation or the decimal equivalent. Plays at Wimbledon Cathedral, a Mobiüs strip breaking the hyphens of the characters’ tics, now stalactite. Ulysses’ rooms bequeathed by merchants’ muscle fibre, barbershop Swift, are ravens on wires flying to nests of croissants. Invisible, distilled, immanent. The zinc stylus is saying who doesn’t read the Dubliners to Antigone made magnanimous dents smelling of pine off of a Renaissance Pope.

2. The World’s Most Famous Electric Razor. Freud’s rational, secular spice tree slightly intriguing the mischievous French starlet engine. The voice lymphatic. W. B. Yeats clones in Belfast stitching the tremours to Nevada. As a kestrel, the poem is about to taste the milk, smell the coal in a threadbare armchair, with a glass of Vouvray to help navigate the Panopticon. (more…)