panopticon

The Kill-Freak Syndicate!

“The philosophers’ inventive theories of time and money directed and guided the managerial class towards the ways by which they could change the world to suit themselves.” — Steven Simpson, Blinded by Science

In the old mansion house in the swamplands where the cops would never find him, the occupant paced the dining room. Anikulapo-Kuti was possessed of an unusual, chaotic intelligence. Dinner was at seven.

Psycho-gulls ate from the pre-conscious archives and, doubtless, they portrayed vast and brilliant scones and tea in the afternoon. Fearful they were not, yet with fear and terror were they deplored as they cut a finger slicing a side of beef or cracked a precious Arabian plate.

Description lost out to prescription. Pushed with haste that could only be resolved by informational products, marvellous new vices were engineered in leaps and bounds and spread abroad by the forces of evil.

Poverty Inc moved into new territories, solving problems with a new spin on an old dogma, promises of betterment, a way to bridge the gap. Condescending to point at a picture of a pauper in a cloth cap holding a noose round the neck of a woman accused of witchcraft, and pointing out the barbarism, the faulty metaphor was recycled against a backdrop of leisurely hours spent haranguing the natives about how lucky they were to till the soil.

“Turn the ghost up in here.”

(more…)

Enter the Great Unknown

_unknown

“By dint of its literal form, a symbol is a representation of a symbol and other than what it is said to indicate.” — Fadia Bulus, Untold Signs

The chequered floor of the Freemasons gleamed with triple action Flash in the evening around 9 o’clock after a maid scoured the room.

“This way lies paranoia. This way you either know too much or too little. I want someone to haunt me.”

The narrativising subject surveilled its reading materials: “The more I read, the less I know.” (more…)

Envelope

[text]

Envelope

a condensed novel in 22 verses

[pdf: Envelope]
[audio]

_0envelope

1. Specific to sitting in a deck chair, lacquered, bright, snowy cheeks. One critic of social and political life. Nerve end, Fabian. Left the body a god in Cairo, in the foyer with the McEwan’s manager. English punctuation or the decimal equivalent. Plays at Wimbledon Cathedral, a Mobiüs strip breaking the hyphens of the characters’ tics, now stalactite. Ulysses’ rooms bequeathed by merchants’ muscle fibre, barbershop Swift, are ravens on wires flying to nests of croissants. Invisible, distilled, immanent. The zinc stylus is saying who doesn’t read the Dubliners to Antigone made magnanimous dents smelling of pine off of a Renaissance Pope.

2. The World’s Most Famous Electric Razor. Freud’s rational, secular spice tree slightly intriguing the mischievous French starlet engine. The voice lymphatic. W. B. Yeats clones in Belfast stitching the tremours to Nevada. As a kestrel, the poem is about to taste the milk, smell the coal in a threadbare armchair, with a glass of Vouvray to help navigate the Panopticon. (more…)