panopticon

8: Enter the Great Unknown

_unknown

“By dint of its literal form, a symbol is a representation of a symbol and other than what it is said to indicate.” — Fadia Bulus, Untold Signs

The chequered floor of the Freemasons gleamed with triple action Flash in the evening around 9 o’clock after a maid scoured the room.

“This way lies paranoia. This way you either know too much or too little. I want someone to haunt me.”

The narrativising subject surveilled its reading materials: “The more I read, the more I know.” (more…)

Envelope

[text]

Envelope

a condensed novel in 22 verses

[pdf: Envelope]
[audio]

_0envelope

1. Specific to sitting in a deck chair, lacquered, bright, snowy cheeks. One critic of social and political life. Nerve end, Fabian. Left the body a god in Cairo, in the foyer with the McEwan’s manager. English punctuation or the decimal equivalent. Plays at Wimbledon Cathedral, a Mobiüs strip breaking the hyphens of the characters’ tics, now stalactite. Ulysses’ rooms bequeathed by merchants’ muscle fibre, barbershop Swift, are ravens on wires flying to nests of croissants. Invisible, distilled, immanent. The zinc stylus is saying who doesn’t read the Dubliners to Antigone made magnanimous dents smelling of pine off of a Renaissance Pope.

2. The World’s Most Famous Electric Razor. Freud’s rational, secular spice tree slightly intriguing the mischievous French starlet engine. The voice lymphatic. W. B. Yeats clones in Belfast stitching the tremours to Nevada. As a kestrel, the poem is about to taste the milk, smell the coal in a threadbare armchair, with a glass of Vouvray to help navigate the Panopticon. (more…)