communist

Antic Institution

“Earth folks were impressed with suffering. I gained respect and admiration by praising the ordeals of craving and misery. In my disguise as a public intellectual I made myself a paragon of dread and the crowds flocked.” — Nancy B. Haigler, The Guest Book

Gathering to repair the deficiencies of their professional doctrine, the technologians adopted the robust perspectives of the Institution, the manifesto for which declared a humanistic programme for prosperity and happiness.

For the information architext, being without an informational construct meant being disconnected from the flow of life in the datastream. The concerns that surrounded the lack of an object generated unwanted empty space. The pro-consumer could only reach satisfaction by filling up space with one or another of the architext’s inventions. So, the architext designed a new mediator that would be more addictive than any drug.

Picking up the literary pencil once again, I was startled to find out just how much its outpourings failed to correlate with the literary pixel. I had access to a super-charged and strangely constructive ambiguity (which I stole from a journalist who’d been to Cheltenham Ladies’ College), although I was probably too attached to rhetoric and the monastic stench of myrrh and frankincense.

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The Kill-Freak Syndicate!

“The philosophers’ inventive theories of time and money directed and guided the managerial class towards the ways by which they could change the world to suit themselves.” — Steven Simpson, Blinded by Science

In the old mansion house in the swamplands where the cops would never find him, the occupant paced the dining room. Anikulapo-Kuti was possessed of an unusual, chaotic intelligence. Dinner was at seven.

Psycho-gulls ate from the pre-conscious archives and regurgitated scones and tea in the afternoon. Fearful they were not, yet with fear and terror were they deplored as they cut a finger slicing a side of beef or cracked an Arabian plate.

Description lost out to prescription. Pushed with a haste that could only be stalled by informational products, marvellous new vices were engineered in leaps and bounds and spread abroad by the forces of evil.

Poverty Inc moved into new territories, solving problems with a new spin on an old dogma, promises of betterment, a way to bridge the gap. Condescending to point at a picture of a pauper in a cloth cap holding a noose round the neck of a woman accused of witchcraft, and pointing out the barbarism, the faulty metaphor was recycled against a backdrop of leisurely hours spent haranguing the natives about how lucky they were to till the soil.

“Turn the ghost up in here.”

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Situation Normal: All Fucked Up

“The only triumph the bureaucrats can claim for their invention of the cost of identity is the truth in their assertion that no synchronal force is binding. But their victory is hollow. Neither sleep nor death offer any escape.” — Stravo Kellarman, Enemies of Life

I dedicated my research to infinity and infinity for finite ends. My job was to unlock and enchant, delight, and unburden, and return the feedback loops to mystery. Like a botanist of the slightest gesture, I would exact the cause, and unravel and blossom.

In a fevered orison at night I confessed nothing written here was binding. Nothing written here would apply two weeks later, but for the duration of the sampling of this voice the reader became both ventriloquist and oracle. Captivated by the synthesiser, the name of our fad would be “Histrionic”. Our words were sung from behind the sofa. We resided there with the racoons and coyotes, like ambassadors of scorn, prevailing over the followers, non-ironic and fake, hypnotised by the synthesiser: supersonic, electronic, perfunctory.

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Envelope

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Envelope

a condensed novel in 22 verses

[>>> Envelope]
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1. Specific to sitting in a deck chair, lacquered, bright, snowy cheeks. One critic of social and political life. Nerve end, Fabian. Left the body a god in Cairo, in the foyer with the McEwan’s manager. English punctuation or the decimal equivalent. Plays at Wimbledon Cathedral, a Mobiüs strip breaking the hyphens of the characters’ tics, now stalactite. Ulysses’ rooms bequeathed by merchants’ muscle fibre, barbershop Swift, are ravens on wires flying to nests of croissants. Invisible, distilled, immanent. The zinc stylus is saying who doesn’t read the Dubliners to Antigone made magnanimous dents smelling of pine off of a Renaissance Pope.

2. The World’s Most Famous Electric Razor. Freud’s rational, secular spice tree slightly intriguing the mischievous French starlet engine. The voice lymphatic. W. B. Yeats clones in Belfast stitching the tremours to Nevada. As a kestrel, the poem is about to taste the milk, smell the coal in a threadbare armchair, with a glass of Vouvray to help navigate the Panopticon. (more…)