communist

21: Snafu

“The only triumph the bureaucrats can claim for their invention of the cost of identity is the truth in their assertion that no synchronal force is binding. But their victory is hollow. Neither sleep nor death offer any escape.” — Stravo Kellarman, Enemies of Life

I dedicated my research to infinity and infinity for finite ends. My job was to unlock and enchant, delight, and unburden, and return the feedback loops to mystery. Like a botanist of the slightest gesture, I would exact the cause, and unravel and blossom.

In a fevered orison at night I confessed nothing written here was binding. Nothing written here would apply two weeks later, but for the duration of the sampling of this voice the reader became both ventriloquist and oracle. Captivated by the synthesiser, the name of our fad would be “Histrionic”. Our words were sung from behind the sofa. We resided there with the racoons and coyotes, like ambassadors of scorn, prevailing over the followers, non-ironic and fake, hypnotised by the synthesiser: supersonic, electronic, perfunctory.

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Envelope

[text]

Envelope

a condensed novel in 22 verses

[pdf: Envelope]
[audio]

_0envelope

1. Specific to sitting in a deck chair, lacquered, bright, snowy cheeks. One critic of social and political life. Nerve end, Fabian. Left the body a god in Cairo, in the foyer with the McEwan’s manager. English punctuation or the decimal equivalent. Plays at Wimbledon Cathedral, a Mobiüs strip breaking the hyphens of the characters’ tics, now stalactite. Ulysses’ rooms bequeathed by merchants’ muscle fibre, barbershop Swift, are ravens on wires flying to nests of croissants. Invisible, distilled, immanent. The zinc stylus is saying who doesn’t read the Dubliners to Antigone made magnanimous dents smelling of pine off of a Renaissance Pope.

2. The World’s Most Famous Electric Razor. Freud’s rational, secular spice tree slightly intriguing the mischievous French starlet engine. The voice lymphatic. W. B. Yeats clones in Belfast stitching the tremours to Nevada. As a kestrel, the poem is about to taste the milk, smell the coal in a threadbare armchair, with a glass of Vouvray to help navigate the Panopticon. (more…)