freud

7: How to Break Algorithms

_algorithm

“Under the rule of the algorithm, all modes of cognition and communication are manipulated, categorised and quantified to promote the dominant ideology of financialization. There is currently no parallel or alternative system to undermine or replace it.” — Yakim Janović, Dystopia Ltd

Art was pregnant with artificial intelligence. But intelligence had always been artificial anyway, despite its humanity.

The seven sensors raised their ugly heads. They’d been trans-mutated by Mary Shelley’s Frankenstein and Samuel Taylor Coleridge’s Biographia Literaria, but the rationalist purveyors of ideology served education. (more…)

Envelope

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Envelope

a condensed novel in 22 verses

[pdf: Envelope]
[audio]

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1. Specific to sitting in a deck chair, lacquered, bright, snowy cheeks. One critic of social and political life. Nerve end, Fabian. Left the body a god in Cairo, in the foyer with the McEwan’s manager. English punctuation or the decimal equivalent. Plays at Wimbledon Cathedral, a Mobiüs strip breaking the hyphens of the characters’ tics, now stalactite. Ulysses’ rooms bequeathed by merchants’ muscle fibre, barbershop Swift, are ravens on wires flying to nests of croissants. Invisible, distilled, immanent. The zinc stylus is saying who doesn’t read the Dubliners to Antigone made magnanimous dents smelling of pine off of a Renaissance Pope.

2. The World’s Most Famous Electric Razor. Freud’s rational, secular spice tree slightly intriguing the mischievous French starlet engine. The voice lymphatic. W. B. Yeats clones in Belfast stitching the tremours to Nevada. As a kestrel, the poem is about to taste the milk, smell the coal in a threadbare armchair, with a glass of Vouvray to help navigate the Panopticon. (more…)