voyeurism

Carnal Synthetics

“Art is no longer an individual social statement, even less the total act of expression of a qualified representative of a culture, but an indiscriminate development towards that which was previously taboo: the irrational propagation of synergistic alignments consolidated between the non-exclusive spirit of imagination, cosmic mystery and the unknown.” — Hortense Varner, Violent Beauty, Art at the End of Time

Traditions were under threat. Patriots wanted a day of reckoning, a crackdown, and the intervention of their Antichrist. Embracing the topics as set by the paradigm shifters, the monetisable personality was relentless. It had no moral backbone, but at underground assemblies everywhere speech was free to be perverse and inexplicable, against everything that was sacrosanct.

After fixing up the hit-pieces for the Professor to be trashed as an abomination, Anikulapo-Kuti inspected the emblems at close range. Having breached security at the bio-surveillance office at Idolator he traced the path of their instrument in the correct order, and while it seemed the emblems might pander to or patronise both the dominant and competing narratives, this served to signify they might have the power to smash the meta-narrative.

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The Dictatorship of the Factual

“If there is to be any basis for solidarity, much more intensity is required. Firstly, to salvage and revitalise, and then to acquire full comprehension of the cohesive energy that binds the different elements our mistaken beliefs have disconnected from the primal origin. And then to synchronise that energy with the alienated environment in which it was lost.” — Nadezhda Kharitonov, Alien Republic

I was sent from the future. Any verbal object was a tool of the imagination. I was writing from within the essence of things, but the centre would not hold, so I related the following…

Nasrul was consenting and often anecdotal. He was aware that his collaboration with the author was in both their interests. Nevertheless, in making the golden choice, he was denying the cost of life or death and leaving behind the need to survive as a character. He had no belief in evaluation or development and had abandoned the mental effort to grasp the fact of time some time ago. None of this entailed withdrawal or disinterest. On the contrary, it enabled a fuller penetration and excavation of the great unknown.

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