imagination

17: The Entertrainment Consultancy

“In utilising the audio-visual-spatial ability it is possible to affect a trance through which the cognitive restructuring takes place, leading to almost infinite modes of perception and expression. However, it is important to work with human nature rather than against it, and to practice patience, discipline and trial and error.”— Danica Klossner, New Frontiers in the Practice of Psychology

I was attempting to write the definitive article when some kinda energy association happened. Must’ve been my carnivorous soul recalibrating the diagnostic entrances.

The Entertrainment Consultancy at FreeDomination had formed a general consensus that gave superficial material power to the survival of functions via the use value of the names of things and not their meanings. The tyranny of the obvious had made organic substance, being, thought and objects serve the separate illusions of free choice. People and things were representations of functions rather than vessels of imagination.

Time was distorted. In the reflection zone, artificial parallels were engendered between communications, making them appear to correlate with each other to the extent that they matched almost exactly and therefore cancelled each other out.

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Vitriol

[pdf: Vitriol]

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Utilitarians: shall we assume our forgotten science is hidden somewhere deep in the cellular memory banks? Imagination has given in to information. Then heretical methods won’t suffice. For we are subject to location. Yet the earthbound field no longer attracts. It seems that we are being utilised for some kind of sensorial induction.

As in a dream, we are passing time by supplying and constructing our bodies and surrounding objects as instruments for assuming passing time has real integral quality.

Let’s explore the content of our applications. (more…)

Statement

[pdf: Statement]

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The spectral sign of imagination is superfluous and profane. It is an anti-consumerist luxury, an antidote against the poison of quantification.

It is an anti-artefact, not a psychological reflection of whatever data assigns it an author or creator. It is not a metaphor.

The material out of which this play emerges is by magic ritual and sheer chance. As the reader or viewer you are complicit in the transmission of this play.

And it is play.

The intention is not to make ‘art’ so that it becomes ‘work’ for a political or personal ideology. It is not to fulfill the purpose of an identity. In offering the ultimate, nothing needs to be qualified.

Against self-surveillance and identification, the astonishment of presence is always inconclusive.

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