metaphor

The Big Homunculus

“I see its eyes as they move in its head and on to me. I feel it looking at me. I feel that it apprehends the very nature of my being and at the same time transmits its own. I move, but I cannot move from its sight. Happily, I am transfixed.” — Jodi Stroman, Gimmicks

The new era had unleashed a new evil: the birth of the Big Homunculus. As the buzzword left the mouth of the Reality TV presenter it was quickly absorbed into the brains of the watchers. Some concern was shown for a rabbit hole that lead to the tomb of established law and order. Later in the day, the buzzword was rediscovered on the floor of the interrogation room, scrawled on repeat prescription.

The cybernetic fantasy had become the template for a new kind of unreality. Pseudoscience had brought the human population into unerring compliance with the social body. Society’s gods were factual data that were fabricated, re-constructed and replicated by the available machines. Automation provided freedom of expression under the rule of the economy. There would be no need to compete for survival because the thing called society would be ruled over by the majority and finally reach TOTAL DEMOCRACY.

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Datasexual Supernature

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“To the poet, philosophy is pure emotionalism, poignancy for its own sake. To the poet, philosophy is cause to weep for no reason.” —Alberto Lopez, In Pursuit of Zosimos

Nasrul knew the game was rigged. He was from a brutal background and had seen the aestheticisation of mainstream corporate values for what they were. Information had become a parody of itself. What was it saying? What did it mean? N was not inclined to be moved by any bullshit information.

N discovered a representation reduced to a vague feeling. Its meaning would have no further implication except in a fictional sense. So, any statement made by someone or other without factuality would not imply anything more than the meaning ascribed to it. Factual interpretation was unnecessary as it was all too often anathema to reasonable action.

“I don’t think you’ve ever been equal to another human being.”

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Statement

[>>> Statement]

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The spectral sign of imagination is superfluous and profane. It is an anti-consumerist luxury, an antidote against the poison of quantification.

It is an anti-artefact, not a psychological reflection of whatever data assigns it an author or creator. It is not a metaphor.

The material out of which this play emerges is by magic ritual and sheer chance. As the reader or viewer you are complicit in the transmission of this play.

And it is play.

The intention is not to make ‘art’ so that it becomes ‘work’ for a political or personal ideology. It is not to fulfill the purpose of an identity. In offering the ultimate, nothing needs to be qualified.

Against self-surveillance and identification, the astonishment of presence is always inconclusive.

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