“Quite apart from their uses or designs, buildings can emit energy which has an ethereal resonance that exceeds the human attention span.” – Louise R. Schoenfeld, The Architecture of Etheric Space
Sampling a few after-deaths, Nasrul reserved the right to zap the televisual myths from outside their reality, without a role, with no rule or counter-rule, no abstinence, and without gift or depiction.
Oh, hideous, wild viral poem, lacy in the void of extra-sensorial Sephira, no word would suffice, but whatever your control was doing it was beautiful.
Strutting about everywhere, the ubiquity of opinion allowed for no difference between polemics, poetry, philosophy, journalism or pseudoscience. Revolution was just another school of thought, a self-descriptive mythology, a result of social conditions.(more…)
“Without touching each other we lay on the quilt and watched the dawn. The blissfulness I felt might overwhelm me. Nothing I could say would be with words.” — Rick Lindsay, The Lapis Daybook
When the impulse occurred to write sensibly there was always a certain risk involved because many people tended to look at writing as if it were information or a set of instructions. This was before the discovery of its unknown properties when writing was co-opted by narrative.
Maybe freedom was a carrot or an apple, but its most sacred duty was to trust the truth of fiction which is the spinal fluid of poetry. There was plenitude and substance at the Zero-Core, deep underground, where deadly impermanence was reversed by the negative theology of the anti-narrative.
“As contradictions may be considered true and false at once, those closest to fiction usually tend to be the more precise, fiction being the prima mobile encompassing all that is factual in the naming of images and ideas.” — Mileva Martin, Clandestine Misdemeanors
To you the image was not dead. You saw literal forms in colours and structures as if their designs were of matchless purity. But the imagistic reproduction of a humanistic aesthetic profile which you fancied had social or political meaning was null and void.
The image was dead but to you the image was not dead.
Utilitarians: shall we assume our forgotten science is hidden somewhere deep in the cellular memory banks? Imagination has given in to information. Then heretical methods won’t suffice. For we are subject to location. Yet the earthbound field no longer attracts. It seems that we are being utilised for some kind of sensorial induction.
As in a dream, we are passing time by supplying and constructing our bodies and surrounding objects as instruments for assuming passing time has real integral quality.
Let’s explore the content of our applications. (more…)
The spectral sign of imagination is superfluous and profane. It is an anti-consumerist luxury, an antidote against the poison of quantification.
It is an anti-artefact, not a psychological reflection of whatever data assigns it an author or creator. It is not a metaphor.
The material out of which this play emerges is by magic ritual and sheer chance. As the reader or viewer you are complicit in the transmission of this play.
And it is play.
The intention is not to make ‘art’ so that it becomes ‘work’ for a political or personal ideology. It is not to fulfill the purpose of an identity. In offering the ultimate, nothing needs to be qualified.
Against self-surveillance and identification, the astonishment of presence is always inconclusive.
Whether or not it is an everyday observation, have you ever tried to do anything but decipher codes? You will perceive that here, where what is there, is in the making of the difference being made, but it is merely between the choice and the record, no more, no less.
Some time during my sojourn, I would regret it later but be obliged to play tribune to that part of human consciousness which is of its time [insert date] yet without a contemporary, which means to say for each of us it is in fashion. This thought occurred like a rapture pliant with foolscap devices, randomness, accounting, murmuring.
A sense of belonging concerns the definition of how desire takes place within a custom or saying, which at present is bearing a resemblance to literature. That is, to furnish knowledge going near, without or toward, relative to the images of the characters of the written word. In truth, not even the speech, and neither the thought!
But the written. (Read more… )